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Art and Madeline Slicer Turnvereine Stein Collection

 Collection — Box: 01-35
Identifier: MS-519

Collection Scope and Contents

The Art and Madeline Slicer Turnvereine Stein Collection consists of 132 items. This includes 106 steins, beakers, glasses, and tankards made of glass, pewter, and various ceramics; it also includes sporting medals, elaborate smoking pipes, framed photographs, and various unique memorabilia. All items were created by, or have the underlying theme of, the German sporting organization the Turnvereine, known in the United States as the Turners. The historical period represented is mid-nineteenth century through 1942, with the bulk of the materials dating between 1880 and 1934. The collection’s donor made a conscious decision not to collect any Turnvereine produced in Germany during Nazi Germany or World War II. (The one item dated 1942 is a pewter lid attached to a stein manufactured earlier in the twentieth century.)

The items in this collection bear many of the symbols and expressions associated with Father Jahn and the Turnvereine in Germany. One predominant theme is the four F’s (“Frisch, Fromm, Froh, and Frei”), which appear on the steins as either words or are arranged as a cross emblazoned on a shield, also known as the 4F shield. A variation on this symbol was a combination of two F's, an S and T, all of which represents "Frish, Frei, Stark, und Treu" ("fresh, free, strong, and true"). This variation indicates the Turners’ criticism of religion in the 1850s; they replaced “fromm” (devout) with “stark” (true), even though the term “devout” signified loyalty to the Turner ideals, rather than religious devoutness. Three decades later, the latter expression became the motto of the German Workers Turner Union (see Hofman's “From Jahn to Lincoln: Transformation of Turner Symbols in a New Cultural Setting”).

Other visual symbols of Turnvater Jahn’s ideas that appear on the steins and in the memorabilia include gymnastic equipment such as barbells, parallel bars, and a pommel horse, underscoring his emphasis on physical fitness. Occasionally steins will display a combination of a torch, sword, and owl, which represent Freethinker symbols, underscoring the Turners' association with Freethinkers’ values of enlightenment (the torch), the political and religious fight for justice and equality (the sword), and wisdom (the owl). Finally, the phrase “Gut Heil!” loosely translated as “To your good Health!” was a frequent expression of the Turners (gymnasts). Nearly every item in this collection bears some combination of the 4F shield, images of Father Jahn, young men engaged in gymnastic exercises or using barbells, and the phrase “Gut Heil!” The steins in this collection also depict 19th and early 20th-century sporting events and competitions (Turnfests) held in Frankfurt, Leipzig, Münich, Nüremberg, and other cities; these steins were used as a means of commemorating these events and fostering national pride.

It was rare for artists to sign their initials or names on steins, but a few steins in this collection do bear artists’ names or initials. Two sets of steins, each commemorating Turnfests in Frankfurt and Leipzig (respectively) bear the initials of artist Franz Ringer, a notable stein artist in late 19th- and early 20th-century Germany. Two additional vessels in this collection, known as pokals, were signed by artist Jean-Baptiste Stahl, noted for his use of cameos on steins (see items #17 and #18 in the collection).

The most common marks on steins, including those in this collection, are manufacturers’ marks, which were nearly always stamped on the bottom of the stein. Within this collection, steins bear marks from manufacturers such as Eckardt & Engler, Simon Peter Gerz, Gebruder Vonficht Ingolstadt, Schellenberg's Kaisermagazin, Reinhold Merkelbach, J.W. Remy, Schierholz & Sohn, Steinzeugwerke, and Villeroy & Bosch. The latter company, Villeroy & Bosch, made steins commonly known as Mettlach steins; “Mettlach” is from the Latin word for mid-lakes, and is a small village where the steins were made. These steins are particularly valued by collectors because of their high-quality etchings, glazes, and cameos. Interestingly, no one knows precisely how these steins were made, because in 1921 a fire destroyed all the molds, production records, and formulas for the production processes and materials.

Dates

  • Creation: ca. 1880 –2015
  • Creation: Majority of material found within c. 1880-1934

Creator

Conditions Governing Access

Unrestricted.

Conditions Governing Use

Rights status not fully evaluated.

Read our full copyright statement.

Historical and Biographical Note

Turnvereine, also known as sporting clubs, first came about in 1811, when Frederich Ludwig Jahn formed the first outdoor gymnasium in Berlin, Germany, with the goal of promoting a nationalist movement, primarily in response to the Prussian army’s defeat during the Napoleonic Wars. He quickly became known as Turnvater Jahn (the “father” of gymnastics), who promoted the idea of the four “F’s”: Frisch, Fromm, Froh, and Frei. Turnvater Jahn adapted these four “F’s” from the sixteenth-century expression “Frisch, Fromm, Fröhlich, Frei,” in order to promote the importance of a lifestyle that is “fresh, devout, happy, and free.” This motto had a political dimension, since Jahn’s idea was to provide a meeting ground where young men—Turnvereine were predominantly male throughout the nineteenth century—could meet, participate in games, and strengthen their bodies and minds in preparation for a unified Germany. By 1819, however, when Prussia had recovered from the Napoleonic Wars, German rulers deemed this nationalization a threat to their goal of a German confederation. As a result, Jahn was incarcerated for five years and Turnvereine were banned. Jahn’s sentence was reversed in 1825, but he was forbidden to live within ten miles of Berlin, and lived out his remaining days in Freyburg until his death in 1852.

Meanwhile, the ban on Turnvereine was lifted in 1842, and Turnen slowly became incorporated into the educational curriculum for young men. In the years leading up to the German revolutions of 1848-1849, many Turners used Turnvereine as a forum for political activism as well as (or in lieu of) a place to participate in exercises. When revolutionary groups and assemblies failed to unify Germany in 1849, many Turners, known as Forty-Eighters, fled their home country to escape imprisonment or death. A number of Turners emigrated to the United States and helped establish American Turner clubs in the mid-nineteenth century. In Germany the Turner movement was weakened after 1849. Although a federation of Turners formed in 1868 and Turnen remained the predominant form of exercise through the end of the nineteenth century, the socialist-leaning Turner groups fell away by World War I, and by World War II, they were banned altogether. After WWII, the Allies (the U.S., Britain, France, and the Soviet Union) allowed individuals to form sports clubs, but only let them develop so far, and kept the emphasis on sports rather than politics. Turnvereine remain popular in Germany today, but tend to be affiliated with particular regions and jobs (e.g., Turnvereine for individuals in specific careers) rather than politics.

As early as the 1820’s, many of Father Jahn’s disciples left Germany and established sporting clubs in the United States, while continuing to promote the idea of “a sound mind in a sound body.” In the years leading up to and following the U.S. Civil War, American Turner clubs sprang up in the Northeast and Midwest. At the height of the American Turner movement in the 1890’s, there were more than three hundred societies across the country. Cultural assimilation and two World Wars with Germany took a gradual toll on membership, with some halls closing and others becoming regular dance halls, churches, bars or bowling alleys. As of 2011, fifty-four Turner societies still existed around the United States, and the current headquarters of the American Turners is in Louisville, Kentucky.

The American Turners’ connection with the Y.M.C.A. came about when, in the late nineteenth-century, Y.M.C.A. leaders decided to include gymnastics and other sports as part of their programs. These leaders quickly realized in the need for teachers of physical fitness. The Y.M.C.A. Training School, which later became Springfield College, served as a pipeline for the Y.M.C.A. by supplying it with trained workers. Because the Association needed teachers for physical fitness, and because it wanted to recruit Christian men for the gymnasium, the school incorporated physical education into its curriculum in 1887.

The collection of steins and memorabilia was donated in March 2015 to Springfield College Archives and Special Collections by Art and Madeline Slicer. Art Slicer was born in Hartford, Connecticut and attended East Hartford High School, where he played football, wrestled, and ran track. He also served in the Naval Reserves. After serving in the army for three years, he attended Springfield College from 1955-1959, majoring in physical education. Madeline Slicer (née Razza), was born in Brooklyn, New York, raised in Longmeadow, Massachusetts, and went to Classical High School. She attended Springfield College from 1954 – 1958, majoring in science education.

After graduating from Springfield College they married in July 1959 and moved to New Jersey. Art worked at the Metuchen YMCA and Madeline taught in Madison. In 1963 they moved to Quincey, Massachusetts where Art worked in the Quincy YMCA and taught in Reading, while Madeline taught in South Weymouth. In 1969 they moved to Bethany, Connecticut where Art was the gymnastics coach and health and physical education teacher in Hamden. In 1996 Mr. Slicer retired from his job as the K-12 Coordinator of Adaptive Physical Education. Madeline taught in the Amity School System and retired in 1998. They have lived in Connecticut since 1969.

Art Slicer began collecting steins in the late 1980’s. At the suggestion of a fellow collector, he began acquiring what are known as Turnvereine steins, in addition to steins with other themes. As he learned more about the Turner steins, he realized his family had belonged to the Meriden, Connecticut Turner club years earlier. Now retired, Art and Maddy Slicer continue to collect steins and are active in three local chapters of Stein Collectors International: the Student Prince, based in Springfield, Massachusetts; the Thirsty Knights, a chapter for the New York and New Jersey area; and the New England Steiners, a chapter for the New England region.

--written by Meg Meiman

SOURCES Hofman, Annette R. "From Jahn to Lincoln: Transformation of Turner Symbols in a New Cultural Setting." The International Journal of the History of Sport. 26.13 (2009): 1946-1962.

----- (ed). Turnen and Sport: Transatlantic Transfers. Münster, Germany and New York, NY: Waxmann Publishing, 2004.

Zettl, Herbert. “Physical education at Springfield College: its ‘historical and philosophical origins of Gulick’s Triangle.’” Unpublished essay.

Artists, manufacturer, and prior owner names and biographical information

Baazinger, Alphous –stein owner

Eckhardt & Engler –manufacturer

Gebruder Vonficht Ingolstadt -manufacturer

Gerz, Simon Peter the First –manufacturerand business partner (see Steinzeugwerke)

Hanke, Reinhold –manufacturer and business partner (see Steinzeugwerke)

Knoedgen, J.L. (Jakob Leopold) –manufacturer

Merkelbach, Paul –manufacturer and business partner (see Steinzeugwerke)

Merkelbach, Reinhold-manufacturer and business partner (see Steinzeugwerke)

Mirkel, Emil –stein owner

Müller, Walter -manufacturer and business partner (see Steinzeugwerke)

Ostermayr, L. -distributor

Pichel, Karl –stein owner

Remy, J.W. (Johann Wilhelm) -manufacturer

Ringer, Franz -artist

Riedisser, Joseph –stein owner

Schellenberg’s Kaisermagazin –supplier

Schultz, Hans Wilhelm -artist

Shafer, G. –stein owner

Stahl, Jean-Baptiste -artist

Steinzeugwerke Höhr-Grenzhausen GmbH –sales consortium directed by Paul Merkelbach,and including manufacturing partners Simon Peter Gerz the First, Reinhold Hanke,Reinhold Merkelbach, and Walter Müller

Extent

38 Linear Feet (35 boxes)

Language of Materials

English

Metadata Rights Declarations

Abstract

The Art and Madeline Slicer Turnvereine Stein collection consists of 132 items, 106 of which are German beer steins and other drinking vessels; the remaining 26 items are memorabilia. The collection was donated to Springfield College Archives in March 2015 by Art and Madeline Slicer, classes of 1959 and 1958, respectively. All items were created by, or have the underlying theme of, the German sporting organizations called Turnvereine, known in the United States as the Turners. Made of pottery, stoneware, ceramic, pewter, and glass, the steins and memorabilia depict sporting activities such as gymnastics, running, lifting, and other track-and-field events. Begun by Friedrich Ludwig Jahn in 1811 in Berlin, these social clubs were designed to promote physical fitness and foster a sense of national pride. Members of these clubs also competed in festivals (Turnfests), commemorated through many of the steins in this collection , including from Turnfests held in Frankfurt, Leipzig, Münich, and Nüremberg. The historical period represented by the items in this collection ranges from the mid-nineteenth century through 1942, with the bulk of the materials dating between 1880 and 1934.

Arrangement

The collection came into the archives with no original order.

Upon intake, the original arrangement of materials, loosely arranged by type (glass, metal, porcelain, stoneware) and size (large steins were arranged separately), within the collection was discarded. This arrangement also did not match the appraisal document created by Ronald Fox, Fox Auctions that was used as the basis for acquisitioning the materials into the Archives. Discussions with the donor, Arthur Slicer, revealed that both arrangements by Mr. Fox and Mr. Slicer held no meaning. Therefore, the arrangement of the items was created at the time of processing, and after some steins in the collection were chosen to sell (see History of Collection).

No theme of arrangement is inherent in the collection, and lists of items have been made in no particular order. To expedite processing, the steins have been listed first, and memorabilia and information on the collection second. Any additions to the collection should simply be added to the end of the collection.

History of the Collection

The collection was donated by Art and Madeline Slicer to the Archives and Special Collections on March 4, 2015. Accession Number: ACQ.0020.2015

As part of gift agreement (see ACQ-0020-2015 for details), 55 steins were chosen to be sold. These items were separated out and marked for deaccession, and are not listed in this finding aid.

Collection arranged by Meg Meiman, September 2015.

Digitized Materials

Browse digitized materials from this collection. This collection is OR digitized.

Material Records Within Springfield College Collections

Related Materials: Records Within Springfield College Collections

Rare Books and Special Collections

  1. Jahn, Friedrich Ludwig. A Treatise on Gymnastics, taken chiefly from the German of F.L. Jahn. Trans. Charles Butler. Northampton, Mass. : S. Butler, 1828. GV465 .J32. Also available online via HathiTrust.
  2. Die deutsche Turnkunst zur Einrichtung der Turnplätze. (Translation: The Art of Gymnastics and the Establisment of Gymnastics Courses.) Dresden: Wilhelm Limpert, 1927. Fascsimile edition of 1816 edition. GV465 .J323

Faculty/Staff Files

  1. Zettl, Herb. “Physical education at Springfield College: its ‘historical and philosophical origins of Gulick’s Triangle.’” Unpublished essay.

Storage and Preservation

Items have been individually identified with archival tags and wrapped in polyester batting. All other items are wrapped in unbuffered acid-free tissue paper. Every item in the collection is stored in reinforced archival boxes padded with polyethylene foam.

Title
Art and Madeline Slicer Turnvereine Stein Collection
Status
Completed
Author
Meg Meiman
Date
2015-09
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Revision Statements

  • 2023-02: Transferring information from the original Word document to ArchivesSpace.

Repository Details

Part of the Springfield College Archives and Special Collections Repository

Contact:
Springfield College
Judd Gymnasia
263 Alden Street
Springfield Massachusetts 01109 U.S.A. US
413-748-3309